Every year, a new line of fashion design graduates break out of the university halls and into the daunting fashion industry. Marking this accession to independence is Graduate Fashion Week, a congregation of final year students from the UK and abroad.
Twin headed to the four-day event to discover our generation’s next fashion protégés…
The beauty in darkness is still as strong as ever judging by Natalie Martin’s – Birmingham City University – graduate designs. Although her colour palette was comprised of somber khaki, black and faded mauve shades, Martin’s sheer panelling, metallic accents and floaty chiffon skirts added just the right touch of gloomy romanticism.
Olivia Salmon’s – UCA Rochester – collection beckoned to the little girl in all of us. As much as we love being strong and steadfast women, sometimes you just want to let your hair down, grab a bouquet of baby’s breath and carelessly wander through green fields forever in hand-painted silk A-line dresses.
Northumbria University’s Rebecca Byer struck just the right balance in contrast with her looks of oversized chunky knits and voluminous Mongolian fur-trimmed coats paired with delicate gold chain shorts and finely draped jersey and velvet gowns.
Eve Jones – Manchester Metropolitan University School of Art – created a collection for the woman somewhere in between the country club and metropolis. While polo shirts, lightweight sheer fabrics, knife pleated skirts and a dash of tennis ball yellow made an ode to all things preppy, her addition of leather biker gilets and perforated shorts kept the whole feel of the collection smooth rather than stuffy.
Claire Rushby – University of Salford – also decided to take on an athletic theme with her collection, however this interpretation would be more at home in the disco than on the tennis court. Think metallic lamé fabrics, round pleated shoulder details wafting as the wearer strides across the dance floor and breathable mesh fabrics to keep your club cool.
E L Pattern – De Montfort University – wood sculpture accessorised collection was one big play on geometrics. Blazers were sliced with accurate precisions whilst fuchsia and orange single piping on all white trousers continued the disciplined theme. But thanks to the addition of sheer overlays and flatteringly cut sheath dresses, the looks were polished and refined, not harsh.
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